7/28/2023 0 Comments Eric stoltz pulp fictionAnd Tarantino exploits his three narratives for as many shifts of emphasis and pace as he can manage, lulling you into a sense of security before he hits you with a whammy or, as he did during the Reservoir Dogs torture scene, piling up the excruciating tension until you can hardly bear to watch the screen. Tarantino’s characters are all vividly eloquent, delivering reams of bright and amusing dialogue and behaving like genuine, unpredictable, real people in a fictional world. These are B-movie plots given the A-list treatment, but there is more to them than mere thrills, spills and twists in the tale. Jackson) whose day goes spectacularly wrong. There is the tale of hit-man Vincent Vega (the imaginatively cast John Travolta) reluctantly taking his boss’s beautiful wife (Uma Thurman) on a date in which he knows that he can look but not touch ageing boxer Butch (a well used Bruce Willis) reneging on a promise to the mob to throw a fight and the adventures of a couple of hit men (Travolta and the imposing Samuel L. As a generous, value-for-money offer, Tarantino delivers three interlinking short stories, with overlapping characters and a non-linear narrative, taking familiar chest-nuts and twisting them when least expected. This is indeed a world of pulp, lurid and trashy tales set in an imaginary landscape of gangsters, molls, hits and scams. The title immediately lets you know the score. Two even more violent, more blackly humorous and trashily pop scripts (Tony Scott’s True Romance and Oliver Stone’s forthcoming Natural Born Killers) have enhanced his reputation, and his directorial follow up Pulp Fiction arrives already garlanded with honours, having scooped this year’s Best Film Award at Cannes, probably the first time the French film festival has handed over the award to a movie that features graphic butt-fucking, major blood-letting, a discussion of the sexual benefits to be gained from body piercing and quite possibly the most frequent repetition of the word nigger outside of a National Front meeting. Tarantino exploded onto the scene with his debut Reservoir Dogs, an astonishingly intense, acerbically amusing, physically and emotionally violent heist movie that hit film audiences like an overdue wake up call. But just like those fund raisers, the important thing is being there.Īll this talent in a movie made for $8 million – less than Bruce Willis’ usual fee – is a testament to the pulling power of Quentin Tarantino, writer, director, actor and the film world’s newest wunderkind. Christopher Walken, Tim Roth, Amanda Plummer, Eric Stoltz, Rosanna Arquette and Maria De Maderios all lend support, while Steve Buscemi shows up to deliver a few throwaway lines as a Buddy Holly lookalike waiter and comedian and up-and-coming actor Alexis Arquette appears in the unenviable part of a man encased from head to toe in a rubber suit, with little to do and no lines at all, hardly a showcase for his undoubted abilities. Pulp Fiction has one of those Robert Altman style ensembles, boasting more Hollywood talent than the average AIDS awareness fund raiser. Starring John Travolta, Bruce Willis, Uma Thurman, Samuel L. PULP FICTION (Directed by Quentin Tarantino.
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